Director of global product management for installed audio at Harman International, Phillip Scobee, speaks to Headliner about his professional background as a live sound engineer, key topics and trends in product development, and reflects on some best practices and challenges currently facing the installed audio market.
Could you start by telling us a bit about your background working in live sound?
I’m very fortunate to have worked with many, many great artists over the years. One that really set me a sail for the future was when I ended up working with a country music band out of Nashville called Alabama. They started in early ‘79; I joined them later in life and was fortunate enough to run with their career all the way through to the end of their season. They're back now, but we officially retired from that run around ‘06 or ‘07. It was a privilege and an honour to work with them for so many years, and I’ve also worked with other big country artists including Tim McGraw and Kenny Chesney.
When did you make the initial move over to product development?
I worked a lot with Crown over the years, developing tours and building a lot of artists; I ended up buying a lot of gear and formed a really good relationship with the people at Harman, so I was working at Crown managing touring amplifiers at the time. Through the nature of Harman being a multi-brand corporation, they needed me to come to California and work in the install and tour groups before they were made separate. I’ve been at Harman for around 10 years now. I manage a team of 10 who are scattered around the globe; everything from a small microphone or ceiling speaker all the way up to the largest PA box and DSP or amplifier – any product used in the install realm falls under my team.


