Earthworks has built a solid reputation for delivering ultra-precise, transparent sound, and the SR117 sits right in line with that philosophy, while keeping things grounded at a price that won’t make you wince. Headliner dives into the finer details…
I first remember experiencing Earthworks microphones at a Diana Krall concert at London’s Royal Albert Hall. I think it was 2009. I was covering the show as a fairly new freelance journalist, with a decent audio knowledge, most of my commissioned work coming in the field of live sound.
Having seen a number of great and not-so-great shows up to that point, at a scattering of different-sounding venues (including the RAH, which is of course a far from easy space to mix in), this show was the first that jumped out at me as ‘sounding like a record’. I remember at the time mentioning this to Diana’s FOH engineer, who attributed the core reason for this to the microphones being used on stage: all condensers, all by Earthworks.
Fast forward some 12 years, and I get the opportunity to try out the new Earthworks ICON mics: first on the Headliner Radio podcast, where we still use them (excellent clarity, and no need for a pop shield, incredibly); and also on some live band recordings, where they really shine on a driven guitar cab.


